Capturing Bigfoot: The 1967 Film Re-Examined

Capturing Bigfoot revisits Roger Patterson's 59 seconds of 1967 Bigfoot film after a lost 16mm reel turns up in a safe. An XYZ Films documentary, 20 Oct 2026.


Capturing Bigfoot: The 1967 Film Re-Examined

Capturing Bigfoot: Re-examining a Film From 1967

The 2026 documentary Capturing Bigfoot looks at one of the more famous examples of strange film footage in American pop culture, the Patterson-Gimlin film.

On October 20, 1967 Roger Patterson and Bob Gimlin filmed a figure walking through remote wilderness in Northern California. That filming and the subsequent footage has been studied by believers, skeptics, and investigators over the ensuing years.

The documentary looks at the 16mm footage from a different perspective than previously studied footage. It includes new interviews with Patterson's family and others close to the incident.

The 1967 film transformed a brief outdoor film into a cultural event. The Patterson-Gimlin film (sometimes called the "Hamilton-Gimlin film") is less than a minute long. Some people believe that the footage shows evidence of an undiscovered species of hominid.

Others said that the figure in the footage was a person wearing a costume.

The footage has remained part of Bigfoot culture for more than five decades, however, Capturing Bigfoot will likely not answer that debate for viewers. The documentary takes a look back at Bigfoot culture through the folk heroism of two guys who claimed to have filmed Bigfoot.

Many people who find the docuementary through entertainment searches for pikashow download are not looking for a monster movie. For them, Capturing Bigfoot is a nonfiction movie about a folk legend.

A Reel Changes the Course of the Investigation

Evans' documentary began after Teresa Brooks found a reel of 16 mm film belonging to her father, Norm Johnson.

Johnson worked with people in Patterson's circle and was a professional filmmaker. For decades, the reel was stored away before it came into Evans' possession.

After the material was digitized, the filmmakers found a reel containing footage of a Bigfoot-like figure being filmed in a wooded area.

In the documentary, Evans presents this material as evidence in the case of how the 1967 film was produced.

Although the new footage adds yet another enigmatic image to the decades-old footage, it changes the direction of the investigation. It goes beyond the scope of the documentary to determine the existence of Bigfoot and aims to uncover what other projects and film activities Roger Patterson was involved in before filming at Bluff Creek.

Evans places those memories alongside recently uncovered 16mm film and invites us to reflect on a narrative that has been shared for generations.

This documentary takes us beyond the legend of Bigfoot. Evans draws us a compelling picture of broken relationships and a family legacy haunted by mystery as much as by the Patterson film.

Roger Patterson died only a few years after filming the famous reel. Therefore, later debates about the film happened in his absence.

Many people (including some relatives) had to try and decipher for themselves what Roger might have been thinking when he took that infamous roll of film.

Clint Patterson, Roger's son, becomes essential to this documentary, as for him, it means re-assessing aspects of his father's character and reputation.

This results in a documentary with a different emotional focus from others centered around alleged cryptid captures and sightings.

Those finding it on picashow should keep in mind that it's a documentary about the legends, myths and reputation surrounding Bigfoot, with an emphasis on memory, belief and faith.

This newly released film footage creates the greatest degree of controversy about the film.

Evans suggests that the recently surfaced film changes how we should think about the Patterson-Gimlin film. According to the reports, the recently uncovered footage shows a person in a Bigfoot like costume.

Not everyone agrees with this analysis. Bigfoot enthusiasts have challenged the idea that the newly uncovered footage shows the hoaxing of Bigfoot, and argue that we need to wait to see the new film before coming to any definitive conclusions.

One topic where scholars have not reached a consensus is the dating of the earlier reels. According to Evans, the material was analyzed to determine if it preceded the Patterson-Gimlin film. Others have questioned the type of test or production it may have represented.

Capturing Bigfoot does an excellent job closing the case, and the larger controversy has not simply evaporated.

That is important in discussing a legend whose evidence has been disputed for decades.

Capturing Bigfoot Premiered at the 2026 SXSW Film & TV Festival in March

It will be released to the public on October 20, 2026, via XYZ Films. The documentary is just over 2 hours long.

Beyond questioning the authenticity of the 1967 reel, Evans' film takes on an even more profound question: Why has the Bigfoot legend endured for over 50 years?

Newly found reels of film give Capturing Bigfoot its largest mystery, but the people surrounding Roger Patterson give it the more in depth story. They cover friendships and family relationships. This explains why the people associated with the production of the film, including those who questioned or defended it, are so difficult to separate from the film itself.

Whether one agrees with Evans' theories or has doubts, Capturing Bigfoot provides an answer to the Bigfoot Legend, which has been prolonged and celebrated as part of the folklore of pop culture.